Degree
BS (Social Sciences & Liberal Arts)
Faculty / School
School of Economics and Social Sciences (SESS)
Department
Department of Social Sciences & Liberal Arts
Date of Award
Spring 2024
Date of Submission
2024-09-08
Advisor
Rahma Muhammad Mian, Lecturer, Department of Social Sciences
Project Type
SSLA Culminating Experience
Access Type
Restricted Access
Keywords
K-pop, Parasocial Relationships, Visual Analysis
Abstract
This paper is an investigation into the media-based factors that enable the Korean-pop Industry to curate and maintain one-sided parasocial relationships between K-pop artists and their committed fans. This paper examines how K-pop companies benefit from this level of devotion by manoeuvring it to satisfy their capitalist interests or, in other words, showcasing more and more of their artists’ “visual” qualities to manufacture appeal. Moreover, this paper studies how social media helps in nurturing these tactics, especially in this age of irreversible digital footprint, using virtual discourse, misled affections, and unsolicited comments. Finally, this paper highlights the detrimental impact that these media-driven parasocial relationships have on the real and unfeigned parts of the lives of K-pop artists and their loved ones due to the encouraged existence of stalkers and other dangerous individuals. Ultimately, this paper aims to demonstrate the utility of the digital age for the K-pop world.
Pages
48
Recommended Citation
Farrukh, H. (2024). Bright Mirage, Sweet Fan-Tom: The Everlasting Honeymoon Phase of K-Pop and Parasocial Relationships (Unpublished undergraduate project). Institute of Business Administration, Pakistan. Retrieved from https://ir.iba.edu.pk/sslace/297
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